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RUTH ASAWA (b.1926, Norwalk, CA)
| 1942 | During World War II, 16 year old
Asawa and her family are detained at the Santa Anita
Racetrack. |
| 1943 | They are transferred to the Rohwer
Relocation Center in Arkansas, where Asawa receives
her High School diploma. |
| 1943-1946 | Attends Milwaukee State Teachers College;
her Japanese heritage impedes student teacher
training; could not fulfill requirements for her degree. |
| 1946-1949 | Receives scholarship to Black Mountain College, North Carolina; studies with avant-garde artists Josef Albers and Buckminster Fuller. Here she begins experimenting with crocheted wire sculpture and also meets her future husband, architect Albert Lanier. |
| 1949 | Marries Albert Lanier and moves to San Francisco. |
| 1950-1960 | Exhibits in solo and group shows internationally including San Francisco Museum of Art and deYoung Museum, Oakland Art Museum, Chicago’s Art Institute, New York’s Whitney and MOMA and the Sao Paulo Bienal in Brazil. |
| 1965 | Receives the Tamarind Lithography Workshop fellowship; creates 52 lithographs. |
| 1968-1972 | Active in SF Public Schools; introduces dough as sculpture technique. Serves on SF Art Commission. |
| 1974 | Appointed to President Jimmy Carter's Commission on Mental Health. |
| 1976 | Appointed to the California Arts Council. |
| 1980 | Serves on the National Endowment for the Arts. |
| 1982 | February 12 is declared Ruth Asawa Day in San Francisco. |
| 1968-1998 | Receives two Honorary Doctorate of Arts degrees, a Bachelor of Fine Arts and many, many Awards. |
| 2002 | Participates in making The Garden of Remembrance at San Francisco State University in memory of the devastation caused to Japanese-Americans by World War II internment. |
Solo Exhibitions:
| 1953 | Design Research, Cambridge, MA |
| 1954, 56, 58 | Peridot Gallery, NY |
| 1960 | M.H. deYoung Memorial Museum, San Francisco, CA |
| 1963 | Shop 1, Rochester, NY |
| 1965 | Pasadena Museum of Art, Pasadena, CA |
| 1969 | Los Angeles County Fair
Capper Gallery, San Francisco |
| 1973 | San Francisco Museum of Art, Retrospective
View
Van Doren Gallery, San Francisco Baxter Gallery, California Institute of Technology, Pasadena, CA |
| 1978 | Fresno Art Center, Fresno, CA |
| 1979 | Santa Cruz County Building, Santa Cruz, CA
Cabrillo College, Aptos, CA Cedar Street Gallery, Santa Cruz, CA |
| 1987 | San Francisco City College Art Gallery, San Francisco, CA |
| 1996 | J.J. Brookings Gallery, San Francisco, CA |
| 2001-2002 | Completing the Circle, Fresno Art Museum, Fresno, CA; Oakland Museum of California, Oakland, CA |
| 2003 | Tobey C. Moss Gallery, Los Angeles, CA |
Group Exhibitions:
| 1954 | Four Artists, San Francisco Museum of Art |
| 1962 | San Francisco Museum of Art |
| 1968 | Mills College, Oakland, CA
Museum West, Ghirardelli Square, San Francisco Cornell University, Ithaca, NY |
| 1969 | San Francisco Museum of Modern Art |
| 1970 | Dominican College, San Rafael, CA |
| 1973 | Van Doren Gallery, San Francisco |
| 1982 | Fiberworks, Berkeley, CA |
| 1984 | Evergreen Galleries, Olympia, WA |
| 1987-1988 | The Eloquent Object, Philbrook Museum, Oakland Museum of Art, Boston Museum of Art |
| 1988 | Passages: A Survey of California Women Artists, Oakland Museum of Art |
| 1989-1990 | Blueprint for Modern Living: History and Legacy of the Case Study Houses, Museum of Contemporary Art, Los Angeles |
| 1992 | Syntax Gallery, Palo Alto, CA |
| 1993 | Pacific Rim: Japan, California Crafts
Museum, San Francisco
Asian Roots, Western Soil, Berkeley Arts Center |
| 1995 | University of Michigan
With New Eyes, San Francisco State University Gallery |
| 1996 | Generations - The Lineage of Influence in Bay Area Art, Richmond Arts Center |
| 1999 | Art From Stone: Prints from the Tamarind Lithography Workshop, 1960-1970, Norton Simon Museum, Pasadena, CA |
| 2000 | Raumkorper Netze und Andere Gebilde,
Kunsthalle, Basel, Switzerland
Made in California: Art, Image and Identity, 1900-2000, Los Angeles County Museum of Art |
| 2001 | Asian Roots, Western Soil, Cabrillo
College, Aptos, CA
Leading the Way: Visionary Asian American Artists of the Older Generation, Gordon College, Wenham, MA |
| 2001-2003 | Vital Forms: American Art in the Atomic Age, 1940-1960, Brooklyn Museum of Art, NY (traveling) |
Public Commissions:
| 1963-1965 | Joseph Magnin Co., San Francisco and Topanga Canyon: Woven and Tied Wire Sculpture |
| 1965 | J.L. Hudson, Detroit, MI: Tied Wire Sculpture |
| 1966 | Ghirardelli Square, San Francisco, Andrea: Cast bronze fountain |
| 1971 | The City of Phoenix, AZ, Civic Plaza: Tied bronze wire fountain |
| 1970-1973 | The Hyatt Corporation of America, Grand Hyatt on Union Square: Cast bronze fountain |
| 1974 | Makota Hagiwara, Japanese Tea Garden, Golden Gate Park, San Francisco: Bronze plaque |
| 1977-1979 | DeBartolo Corporation of Youngstown, OH, Mission Viejo, CA: Cast bronze sculpture |
| 1984 | Ramada Renaissance Hotel of San Francisco, San Francisco Yesterday and Today: Glass fiber reinforced concrete bas relief |
| 1988 | Beringer Winery, St. Helena, CA: Cast bronze fountain |
| 1994 | City of San Jose, County of Santa Clara, and the Local Japanese-American Community, Japanese American Internment Memorial Sculpture, San Jose, CA: Cast bronze bas-relief sculpture |
Private Commissions:
| 1979 | Crown Zellerbach Corporation, San Francisco: Bronze bas-relief plaques |
| 1996 | Dorothy and Theodore Kitt, San Francisco: Welded bronze gate |
Awards:
| 1969 | Osaka Expo |
| 1973 | Cable Car Award, San Francisco Visitors & Convention Bureau |
| 1974 | Fine Arts Gold Medal, American Institute
of Architects
Honorary Doctorate Degree, California College of Arts and Crafts Robert Kirkwood Award, San Francisco Foundation |
| 2/12/1982 | Ruth Asawa Day, City and County of San Francisco |
| 1983 | Honorary Masters Degree, Academy of Art College, San Francisco, CA |
| 1989 | Arts Award, Asian Heritage Council |
| 1990 | Cyril Magnin Award, San Francisco Chamber of Commerce |
| 1992 | Outstanding Achievement in the Visual Arts, Women’s Caucus for Art |
| 1995 | Golden Apple Lifetime Achievement Award,
San Francisco Education Fund
Golden Ring Lifetime Achievement Award, Asian American Arts Foundation Artist-Mentor in Visual Arts Award, International Network of Performing & Visual Arts Schools |
| 1996 | Art with Elders Honor, Ministry to Nursing Homes |
| 1997 | Lifetime Achievement Award, Precita
Eyes Mural Center
Honorary Doctorate of Fine Arts, San Francisco Art Institute |
| 1998 | Honorary Bachelor of Fine Arts, University
of Milwaukee
Honorary Doctorate of Fine Arts, San Francisco State University |
| 2001 | Distinguished Woman Artist for 2001, Fresno Art Museum’s Council of 100 |
Collections:
| Solomon Guggenheim Museum, New York, NY |
| Oakland Museum of Art, Oakland, CA |
| Addison Gallery, Andover, MA |
| Williams College, MA |
| Chase Manhattan Bank, New York, NY |
| Whitney Museum of American Art, New York, NY |
Bibliography:
Books:
| Imogen Cunningham: Photographs, Imogen Cunningham, University of Washington Press, 1970 |
| Ruth Asawa’s San Francisco Fountain, Sally Woodbridge, 1973 |
| The Alvarado Experience, Andrea Jepson and Sharon Litzky, 1973 |
| Textile Techniques in Metal, Arline M. Fisch, Van Norstrand Reinhold, NY, 1975 |
| The Alvarado Experience, Andrea Jepson and Sharon Litzky, 1976 |
| The Arts and Community Oral History Project, “Ruth Asawa, Art, Competence and Citywide Cooperation for San Francisco”, The Bancroft Library, University of California, Berkeley, 1980 |
| 50 West Coast Artists, Charlotte Streifer Rubinstein, G.K. Hall & Co., Boston, 1982 |
| The Arts at Black Mountain College, Mary Emma Harris, MIT Press, 1987 |
| American Women Sculptors, Charlotte Streifer Rubinstein, G.K. Hall & Co., Boston, 1982 |
| Gifted Woman, Howard Schatz, Pacific Photographic Press, San Francisco, 1992 |
| Worlds in Collision: Dialogues on Multicultural Art Issues, Carlos Villa, Project Director, San Francisco Art Institute, San Francisco, 1994 |
| ART PICTORIAL, Asahi Art Communications Co., Ltd., Tokyo, Japan, 1996 |
| Buckminster Fuller: Anthology for the New Millennium, Thomas Zung, Editor, St. Martin’s Press, NY, 2001 |
| Ruth Asawa: A Retrospective View, San Francisco Museum of Art, 1973 |
| The Eloquent Object, Marsha Manhart and Tom Manhart, Philbrook Museum of Art, Tulsa, OK, 1987 |
| Synergetic Circus: Buckminster Fuller’s Sea of Intuition, P3 Alternative Museum of Tokyo, interview, 1989 |
| Blueprint for Modern Living: History and Legacy of the Case Study Houses, Museum of Contemporary Art, Los Angeles, 1989 |
| Ruth Asawa: On Forms and Growth, by Robert Snyder, Masters and Masterworks Production, Inc. Pacific Palisades, CA, Commissioned by Buckminster Fuller, 1978 |