
| Born |
Los Angeles, California, 1945 |
| Education |
B.F.A., California State
University, Northridge |
| Work |
Tamarind Lithography Workshop,
Hollywood, 1968 |
| Gemini G.E.L., 1969 |
|
| LACMA Conservation Lab, 1972-1975 |
|
| Conservation, private practice,
1975-present |
| 2005 |
For
The Bride, Tobey C. Moss Gallery, Los Angeles, CA |
| 1996 |
Library, Occidental College, Los
Angeles, CA |
| 1984 |
Photo Gallery, ARCO Center for
Visual Art, Los Angeles, CA |
| 1981 |
North Gallery, Municipal Art
Gallery, Los Angeles, CA |
| 1979 |
Janus Gallery, Venice, CA |
| 2004 | Of
Women/By Women, Tobey C. Moss Gallery, Los Angeles, CA |
| 2001 |
Architecture
as Framework for Social Commentary, G. Ray Hawkins Gallery,
Santa Monica, CA |
| Head
Count, Tobey C. Moss Gallery, Los Angeles, CA |
|
| 1999 |
Developing
the Scene: Artists’ Portraits in Photographs, Tobey C. Moss
Gallery, Los Angeles, CA |
| 1997 |
Salon
4: Wedding Days, G. Ray Hawkins Gallery, Santa Monica, CA |
| 1990 |
Natural
Persuasions, Sharon Truax Fine Art, Venice, CA |
| 1989 |
People,
Persuasions and the Environment, TransAmerica Gallery, Los
Angeles, CA, curated by Noriko Fujinami (Lee Rice and Robert G. Ketchum) |
| 1985 |
ART QUEST, Traveling slide
exhibition |
| 1982 |
End
of the Game, La Jolla Photographic Gallery, La Jolla, CA |
| Group
Show, Malinda Wyatt Gallery, Venice, CA |
|
| 1980 |
In
Focus, LAAA, Los Angeles, CA, curated by Shirley Carter Burden |
| 2000 |
Peter
Lodato, From Installation to Painting, Catalogue for exhibition
at Frederick R. Weisman Museum, Pepperdine University (portrait of the
artist) |
| 1989 |
Southern California Home and
Garden, Art Section, Orville Clark |
| 1980 |
Esquire Magazine, “The Girl from
Gold’s Gym”, Lisa Lyon and Eve Babitz |